The music of The Witch’s Kiss

This is a blog post we wrote a couple of months back as part of our blog tour; the post was hosted by the lovely Andrew over at The Pewter Wolf. Someone was asking us again the other day about what soundtrack we’d choose, if The Witch’s Kiss  got made into a film (and assuming we had any say in the matter), so we decided to re-post the article on our own blog. What do you think? Have we chosen the right tracks, or would you do something different?

 

Here’s the thing: neither of us can actually write with any noise going on at all. It’s like we have to channel our (stereotypical) inner librarians: there must be ABSOLUTE SILENCE in the work place. Which is too bad, because we both love music of all types. Our protagonist in The Witch’s Kiss, Merry, also sings (badly) and listens to music – actually, singing turns out to be pretty important in her world…

So, we’ve tried to pull together a brief list of some of the songs that really evoke, for us, the mood of the story and the goings-on within.

 

The Weight of Living, Part II – Bastille

This song explores both the headlong rush of feeling that you’re suddenly getting to be a grown up, and the fear that somehow you’re not quite doing it right… The lyrics of the first verse sum up what’s going through Merry’s head in the first bit of the novel: Now that you are here, suddenly you fear you’ve lost control…Do you like the person you’ve become?

 

Jar of Hearts – Christina Perri

The background (and the centre, in a way) to our story is the version of Sleeping Beauty we created, called The King of Hearts in the novel. Key lyrics here are those of the chorus, which rather echo the King of Hearts’ activities: …running round leaving scars, collecting your jar of hearts, and tearing love apart…

 

Faded – Alan Walker ft. Iselin Solheim

The vocals here are wonderfully eerie, tying into the fairy-tale atmosphere we’re trying to evoke. Also, we think the lyrics capture how Jack, our Sleeping Beauty, might be feeling: the monsters running wild inside of me, I’m faded…so lost, I’m faded. After all – he has been asleep for a seriously long time…

 

Poison – Rita Ora

Merry knows she shouldn’t get close to Jack, but still. That’s why this song works: Nothing could kill me like you do. You’re going straight to my head…I pick my poison and it’s you. And poison is pretty common in fairy tales: poisoned apples, sleeping potions, black thorns exuding deadly venom…

 

Fix You – Coldplay

The relationship between Merry and her brother Leo is such an important part of The Witch’s Kiss, at least as important as the romantic relationship. Fix You expresses Leo’s desire to help his sister, even when he knows there may not be much he can actually do: Lights will guide you home, and ignite your bones, and I will try to fix you.

 

We might as well be strangers – Keane

Another older song, but we love how it describes the pain and isolation of love going wrong, as it so often does: I don’t know your thoughts these days; we’re strangers in an empty space. I don’t understand your heart; it’s easier to be apart.

 

Radioactive – Imagine Dragons

We always wanted to write Merry as a forceful & determined hero: some kind of Buffy/Maleficent genetic mash-up. And this, with its awesome bass line, is the song for that moment where the hero finally gets her stuff together: All systems go, the sun hasn’t died, deep in my bones, straight from inside, I’m waking up, I feel it in my bones, enough to make my system blow…

 

I lived – One Republic

This would be perfect for the closing credits if The Witch’s Kiss ever gets made into a film: with every broken bone, I swear I lived. We’re keeping our fingers crossed!

 

 

 

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